Homer, or whatever Bard is perdeveloping the poem at a given time, features as a third-person omniscient narrator. Ontologically speaking, the Bard"s facility as a narrator is derived from the divine blessing of the Mprovides, who soptimal via him after being invoked at the start of the epic.

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The tone and mood are mostly significant and epic (no pun intended) in nature. The narrator is first and also foremany came to with relating occasions and character thoughts as they taken place, and the poem therefore has a narrative air evoking as a lot transparency as is feasible, offered the superorganic nature of events constituting the narrative.

Odysseus is the protagonist; Poseidon is the principle antagonist, though many characters and forces frustprice Odysseus over the course of his journey.

Poseidon, enraged at Odysseus blinding his boy, the cyclops Polyphemus, goes out of his method to proccasion Odysseus from returning residence to Ithaca after the Trojan War. At the same time, suitors vie for the hand of Odysseus" wife, Penelope.

The climax occurs as soon as Odysseus reveals himself to the suitors by stringing his bow, and also he joins with Telemachus in slaughtering them.

Since the epic is told as a background and also starts in medias res, the whole tenor of the narrative is influenced by elements of reasonably overt foreshadowing.

Given the epic nature of the poem, extremely little bit is underdeclared. One notable exemption is Achilles, specifically in relation to how he was depicted in The Iliad, the immediate predecessor to The Odyssey: once a larger-than-life hero, Achilles shows up reasonably simple when Odysseus encounters him on his visit to the undercivilization in Publication 11; Achilles bemoans his state, saying that he would certainly fairly be a slave in the civilization of the living than dominance among the dead.

As a sequel to The Iliad, which explained the occasions of the Trojan War, the epic is riddled via references and also allusions to the fall of Troy -- up to and also consisting of Achilles" place in the undercivilization. Tright here is likewise frequent allusion to Greek mythology and also background, with which the intended audience of the epic would certainly have been familiar -- for example, the referral in Book 12 (lines 69-72) to the Argo, the ship of Jason and the Argonauts in the myth of the Golden Fleece.

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The standard form of narrative in The Odyssey is incredibly strongly oriented towards imagery. Consider a representative example, from once Odysseus praises Alcinous" bard: There"s nothing better than as soon as deep joy holds persuade throughout the realm and also banqueters up and dvery own the royal residence sit in ranks, enthralresulted in hear the bard, and also prior to them all, the tables heaped through bcheck out and meats, and also drawing wine from a mixing-bowl the steward makes his rounds and also keeps the winecups flowing" (9.5-10).

The the majority of famous paradox in The Odyssey is the trick by which Odysseus outwits and also escapes the Cyclops in Book 9: Odysseus tells the Cyclops that his name is "Nobody," such that when he blinds the Cyclops and also the Cyclops asks for help from his countryguys, the Cyclops have the right to only excase that "Nobody" is attacking him, leading his countryguys to assume that he is not in reality coming to any damage. This clever before paradox turns on Odysseus" incisive option to say that his name is a word that itself denies the presence of its referent -- a paradoxical turn very closely concerned the philosophical problem of negative existentials (watch bibliography for reference).

Though there are many type of differences in between the 2, Telemachus and also Odysseus both undergo odysseys of sorts over the course of the epic: as Odysseus is physically alienated from his residence, so as well is Telemachus alienated from his right over his home by the suitors who has usurped manage of it. The parallel courses of father and also son converge as soon as the two slaughter the suitors and reclaim their residence with nostos -- i.e., homecoming.

Neither is especially influential -- the figurative language of the epic is even more typically defined by metaphor, simile, and also personification.

The many blatant instance of personification in the poem is in Book 10, as soon as Circe uses magic to transdevelop Odysseus" males right into pigs. These are personified pigs in the a lot of literal sense, bereason, as Homer states, "just the men"s minds remained steadquick as before" (264-265). The sunincrease is additionally personified as "rosy-fingered Dawn".

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The Odyssey Questions and also Answers

The Inquiry and Answer section for The Odyssey is a greatresource to ask concerns, uncover answers, and comment on thenovel.

From the method that Agamemnon talks to Amphimedon, the reader can infer that Agamemnon is disturbed by Amphimedon"s visibility in Hades.

"Amphimedon, What ruin brought you right into this undergloom? All in a body, picked men, and so young? One could not...